What attracts you to
someone? What secret messages are being sent? Is it your intuition?  Maybe it’s body language.
I admit I’ve been a bit
fixated on the topic of non-verbal communication lately.
I read body language every
day…it’s part of my job. I can tell if someone is overwhelmed, depressed,
anxious, angry….you get the idea. What I have yet to figure out is how do you know when someone is attracted to you? 
Are you being sent
telepathic messages?
I guess, in a way, you are.
Body language is a type of non-verbal communication controlled by the
subconscious mind. All too often an individual’s words will differ from the
actual meaning – this is where reading body language is helpful.
For instance, if you are
speaking to someone at a social gathering and you hope to positively influence
an attractive female – stand in an open body position. This position is
perceived more positively than those with closed body positions. This stance
also gives you an advantage in being persuasive. A forward trunk lean will enhance
and increase verbal interactions with the female of interest.
Trying to build rapport?
Start mirroring her postures. Don’t make a game out of it and try not to be too
obvious, but through imitation you are subconsciously revealing your
receptiveness. 
Wondering if you’re making
a positive impression? Look for her hand gestures: if she’s touching herself or
her surroundings then you know she is feeling close to you; except if she’s
touching her nose or her face….then she’s lying to you. If her hand movements
are mostly vertical in nature then you know
she’s thinking favorably.
Getting a smile out of her?
Make sure it’s genuine…look for the eye creases…then you’ll know it’s genuine.
Below are some common body
signals and the corresponding possible meanings.
| 
signal | 
part
  of body | 
possible
   meaning(s) | 
detailed
  explanation | |||||||||
| 
Left and right
  are for the person giving the signals and making the movements.  | ||||||||||||
| 
looking right
  (generally) | 
eyes | 
creating,
  fabricating, guessing, lying, storytelling | 
Creating here
  is basically making things up and saying them. Depending on context this can
  indicate lying, but in other circumstances, for example, storytelling to a
  child, this would be perfectly normal. Looking right and down indicates
  accessing feelings, which again can be a perfectly genuine response or not,
  depending on the context, and to an extent the person. | |||||||||
| 
looking left (generally) | 
eyes | 
recalling,
  remembering, retrieving 'facts'  | 
Recalling and
  then stating 'facts' from memory in appropriate context often equates to
  telling the truth. Whether the 'facts' (memories) are correct is another
  matter. Left downward looking indicates silent self-conversation or
  self-talk, typically in trying to arrive at a view or decision.  | |||||||||
| 
looking right
  and up  | 
eyes | 
visual
  imagining, fabrication, lying | 
Related to
  imagination and creative (right-side) parts of the brain, this upwards right
  eye-movement can be a warning sign of fabrication if a person is supposed to
  be recalling and stating facts.  | |||||||||
| 
looking right
  sideways | 
eyes | 
imagining
  sounds | 
Sideways eye
  movements are believed to indicate imagining (right) or recalling (left)
  sounds, which can include for example a person imagining or fabricating what
  another person has said or could, say. | |||||||||
| 
looking right
  and down  | 
eyes | 
accessing
  feelings | 
This is a
  creative signal but not a fabrication - it can signal that the person is
  self-questioning their feelings about something. Context particularly- and
  other signals - are important for interpreting more specific meaning about
  this signal. | |||||||||
| 
looking left
  and up  | 
eyes | 
recalling
  images truthfulness | 
Related to
  accessing memory in the brain, rather than creating or imagining. A
  reassuring sign if signaled when the person is recalling and stating facts. | |||||||||
| 
looking left
  sideways | 
eyes | 
recalling or
  remembering sounds | 
Looking
  sideways suggests sounds; looking left suggests recalling or remembering -
  not fabricating or imagining. This therefore could indicate recalling what
  has been said by another person. | |||||||||
| 
looking left
  down | 
eyes | 
self-talking,
  rationalizing | 
Thinking things
  through by self-talk - concerning an outward view, rather than the inward
  feelings view indicated by downward right looking. | |||||||||
| 
direct eye
  contact (when speaking) | 
eyes | 
honesty - or
  faked honesty | 
Direct eye
  contact is generally regarded as a sign of truthfulness; however practiced
  liars know this and will fake the signal.  | |||||||||
| 
direct eye
  contact (when listening) | 
eyes | 
attentiveness,
  interest, attraction | 
Eyes which stay
  focused on the speaker’s eyes, which tend to indicate focused interested
  attention too, which is normally a sign of attraction to the person and/or
  the subject. | |||||||||
| 
widening eyes | 
eyes | 
interest,
  appeal, invitation | 
Widening the
  eyes generally signals interest in something or someone, and often invites
  positive response. Widened eyes with raised eyebrows can otherwise be due to
  shock, but aside from this, widening eyes represents an opening and welcoming
  expression. In women especially widened eyes tend to increase attractiveness,
  which is believed by some body language experts to relate to the eye/face
  proportions of babies, and the associated signals of attraction and prompting
  urges to protect and offer love and care, etc.  | |||||||||
| 
pupils dilated
  (enlarged) | 
eyes | 
attraction,
  desire | 
The pupil is
  the black center of the eye which opens or closes to let in more or less
  light. Darkness causes pupils to dilate. So too, for some reason does seeing
  something appealing or attractive. The cause of the attraction depends on the
  situation. In the case of sexual attraction the effect can be mutual -
  dilated pupils tend to be more appealing sexually that contracted ones,
  perhaps because of an instinctive association with darkness, night-time,
  bedtime, etc., although the origins of this effect are unproven. Resist the
  temptation to imagine that everyone you see with dilated pupils is sexually
  attracted to you. | |||||||||
| 
pasted smile | 
mouth | 
faked smile | 
A pasted smile
  is one which appears quickly, is fixed for longer than a natural smile, and
  seems not to extend to the eyes. This typically indicates suppressed displeasure
  or forced agreement of some sort. | |||||||||
| 
tight-lipped
  smile | 
mouth | 
secrecy or
  withheld feelings | 
Stretched
  across face in a straight line, teeth concealed. The smiler has a secret they
  are not going to share, possibly due to dislike or distrust. Can also be a
  rejection signal.  | |||||||||
| 
twisted smile | 
mouth | 
mixed feelings
  or sarcasm | 
Shows opposite
  emotions on each side of the face.  | |||||||||
| 
dropped-jaw
  smile | 
mouth | 
faked smile | 
More of a practiced
  fake smile than an instinctive one. The jaw is dropped lower than in a
  natural smile, the act of which creates a smile. | |||||||||
| 
smile - head
  tilted, looking up | 
mouth | 
playfulness,
  teasing, coy  | 
Head tilted
  sideways and downwards so as to part hide the face, from which the smile is
  directed via the eyes at the intended target.  | |||||||||
| 
biting lip | 
mouth | 
tension | 
One of many
  signals suggesting tension or stress, which can be due to high concentration,
  but more likely to be anxiousness.  | |||||||||
| 
crossed arms
  (folded arms) | 
arms | 
defensiveness,
  reluctance | 
Crossed arms
  represent a protective or separating barrier. This can be due to various
  causes, ranging from severe animosity or concern to mild boredom or being too
  tired to be interested and attentive. Crossed arms is a commonly exhibited
  signal by subordinates feeling threatened by bosses and figures of authority.
  N.B. People also cross arms when they are feeling cold, so be careful not to
  misread this signal.  | |||||||||
| 
crossed arms
  with clenched fists | 
arms | 
hostile
  defensiveness | 
Clenched fists
  reinforce stubbornness, aggression or the lack of empathy indicated by
  crossed arms.  | |||||||||
| 
gripping own
  upper arms | 
arms | 
insecurity | 
Gripping upper
  arms while folded is effectively self-hugging. Self-hugging is an attempt to
  reassure unhappy or unsafe feelings. | |||||||||
| 
one arm across
  body clasping other arm by side (female) | 
arms | 
nervousness | 
Women use this
  gesture. Men tend not to. It's a 'barrier' protective signal, and also
  self-hugging. | |||||||||
| 
arms held
  behind body with hands clasped | 
arms | 
confidence,
  authority | 
As demonstrated
  by members of the royal family, armed forces officers, teachers, policemen,
  etc. | |||||||||
| 
handbag held in
  front of body (female) | 
arms | 
nervousness | 
Another
  'barrier' protective signal. | |||||||||
| 
holding papers
  across chest (mainly male) | 
arms | 
nervousness | 
Another
  'barrier' protective signal, especially when arm is across chest. | |||||||||
| 
adjusting cuff,
  watchstrap, tie, etc., using an arm across the body | 
arms  | 
nervousness | 
Another
  'barrier' protective signal. | |||||||||
| 
arms/hands
  covering genital region (male) | 
arms / hands | 
nervousness | 
Another
  'barrier' protective signal. | |||||||||
| 
holding a drink
  in front of body with both hands | 
arms / hands | 
nervousness | 
Another
  'barrier' protective signal. | |||||||||
| 
palm(s) up or
  open | 
hands | 
submissive,
  truthful, honesty, appealing | 
Said to evolve
  from when open upward palms showed no weapon was held. A common gesture with
  various meanings around a main theme of openness. Can also mean "I don't
  have the answer," or an appeal. In some situations this can indicate
  confidence (such as to enable openness), or trust/trustworthiness. An easily
  faked gesture to convey innocence. Outward open forearms or whole arms are
  more extreme versions of the signal. | |||||||||
| 
palm(s) up,
  fingers pointing up | 
hands | 
defensive,
  instruction to stop | 
Relaxed hands
  are more likely to be defensive as if offered up in protection; rigid fingers
  indicate a more authoritative instruction or request to stop whatever behavior
  is promoting the reaction. | |||||||||
| 
palm(s) down | 
hands | 
authority,
  strength, dominance  | 
Where the lower
  arm moves across the body with palm down this is generally defiance or firm
  disagreement. | |||||||||
| 
palm up and
  moving up and down as if weighing  | 
hands | 
striving for or
  seeking an answer  | 
The hand is
  empty, but figuratively holds a problem or idea as if weighing it. The signal
  is one of 'weighing' possibilities. | |||||||||
| 
hand(s) on
  heart (left side of chest) | 
hands | 
seeking to be
  believed | 
Although easy
  to fake, the underlying meaning is one of wanting to be believed, whether
  being truthful or not. Hand on heart can be proactive, as when a salesman
  tries to convince a buyer, or reactive, as when claiming innocence or shock.
  Whatever, the sender of this signal typically feels the need to emphasize
  their position as if mortally threatened, which is rarely the case. | |||||||||
| 
thumb(s) up | 
hands | 
positive
  approval, agreement, all well | 
In the Western
  world this signal is so commonly used and recognized it has become a language
  term in its own right: 'thumbs up' means approved. It's a very positive
  signal. Two hands is a bigger statement of the same meaning. | |||||||||
| 
thumbs down | 
hands | 
disapproval,
  failure | 
Logically the
  opposite of thumbs up. Rightly or wrongly the thumbs up and down signals are
  associated with the gladiatorial contests of the ancient Roman arenas in
  which the presiding dignitary would signal the fate of the losing
  contestants. | |||||||||
| 
thumb(s)
  clenched inside fist(s) | 
hands | 
self-comforting,
  frustration, insecurity | 
As with other
  signals involving holding or stroking a part of one's own body this tends to
  indicate self-comforting. Also thumbs are potent and flexible tools, so
  disabling them logically reduces a person's readiness for action.  | |||||||||
| 
pinching or
  rubbing nose, while listening | 
hands / nose | 
thoughtfulness,
  suppressing comment | 
In many cases
  this is an unconscious signaling of holding back or delaying a response or
  opinion. Pinching the nose physically obstructs breathing and speech,
  especially if the mouth is covered at the same time. Rather like the more
  obvious hand-clamp over the mouth, people displaying this gesture probably
  have something to say but are choosing not to say it yet. | |||||||||
| 
neck scratching | 
hands / neck | 
doubt,
  disbelief | 
Perhaps evolved
  from a feeling of distrust and instinct to protect the vulnerable neck area.
  Who knows - whatever, the signal is generally due to doubting or distrusting
  what is being said. | |||||||||
| 
hand clasping
  wrist | 
hands / wrist | 
frustration | 
Clasping a
  wrist, which may be behind the back or in open view, can be a signal of
  frustration, as if holding one back. | |||||||||
| 
running hands
  through hair | 
hair / hair | 
flirting, or
  vexation, exasperation  | 
Take your pick
  - running hands through the hair is commonly associated with flirting, and
  sometimes it is, although given different supporting signals, running hands
  through the hair can indicate exasperation or upset. | |||||||||
| 
hand(s) on
  hip(s) | 
hands / arms  | 
confidence,
  readiness, availability | 
The person is
  emphasizing their presence and readiness for action. Observable in various
  situations, notably sport, and less pronounced poses in social and work
  situations. In social and flirting context it is said that the hands are
  drawing attention to the genital area. | |||||||||
| 
hands in
  pockets | 
hands / arms  | 
disinterest,
  boredom | 
The obvious
  signal is one of inaction, and not being ready for action. Those who stand
  with hands in pockets - in situations where there is an expectation for
  people to be enthusiastic and ready for action - demonstrate apathy and lack
  of interest for the situation. | |||||||||
| 
removing
  spectacles | 
hands /
  spectacles | 
alerting wish
  to speak | 
For people who
  wear reading-only spectacles, this is an example of an announcement or
  alerting gesture, where a person readies them to speak and attracts attention
  to the fact. Other alerting signals include raising the hand, taking a
  breath, moving upwards and forwards in their seat, etc. | |||||||||
| 
handshake -
  palm down | 
handshake | 
dominance | 
Usually a firm
  handshake, the 'upper hand' tends to impose and/or create a dominant
  impression.  | 
| 
handshake -
  palm up | 
handshake | 
submission,
  accommodating | 
Usually not a
  strong handshake, the lower hand has submitted to the upper hand dominance.
  How all this ultimately translates into the subsequent relationship and
  outcomes can depend on more significant factors than the handshake.  | 
| 
handshake -
  both hands | 
handshake | 
seeking to
  convey trustworthiness and honesty, seeking to control | 
Whether genuine
  or not, this handshake is unduly physical and (often) uncomfortably
  domineering. | 
| 
handshake -
  equal and vertical | 
handshake | 
non-threatening,
  relaxed  | 
Most handshakes
  are like this, when neither person seeks to control or to yield. | 
| 
firm handshake | 
Handshake | 
outward
  confidence | 
Avoid the
  common view that a firm handshake is the sign of a strong solid person. It is
  not. Firm handshakes are a sign of outward confidence, which could mask
  deceit or a weak bullying nature, or indicate a strong solid person. Strength
  of a handshake is not by itself an indicator of positive 'good' mood or
  personality, and caution is required in reading this signal. It is widely
  misinterpreted. | 
 
 
 
 
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